Twelve independent preset slots, each holding a complete orchestration. You move between them live — the transition is instant at the audio block boundary.

Click any of the 12 keyswitch buttons in the keyswitch bar along the bottom of the main view.
Keyswitches are triggered by the lowest octave of notes on a standard keyboard:
More flexible keyswitch mapping is planned for a future update.
Keyswitch transitions are designed for live performance—you don't need to hold the keyswitch note while playing.
This creates seamless transitions between keyswitches without any audible gap or the need to time the switch perfectly with your playing.
Tip: Combine with Latch Mode to hold notes indefinitely while preparing your next keyswitch. Latched notes continue sounding and seamlessly hand over to the new keyswitch when you play the next chord.
Drag and drop keyswitches in the keyswitch bar to reorder them. This lets you arrange your configurations in whatever order makes sense for your performance—put your most-used keyswitches on adjacent notes for quick switching.
Keyswitches cannot currently be given custom names or colours. However, when you load an orchestration into a keyswitch slot, the slot displays the orchestration's name—so you can see at a glance what configuration each keyswitch holds.
Each keyswitch independently stores:
The mixer (instruments, effects, volumes, pans) is shared across all keyswitches. Only the musical content changes when you switch — the instruments stay loaded.
Switch between verse, chorus, and bridge arrangements instantly using MIDI notes from your controller.
Keep the same basic orchestration but shift the tonal colour—Keyswitch 1 routes to warm strings, Keyswitch 2 adds woodwinds, Keyswitch 3 brings in brass. Same harmonic content, different instrumental palette.
Create variations on a theme—Keyswitch 1 plays the melody straight, Keyswitch 2 adds an arpeggiator, Keyswitch 3 uses a different chord voicing. Switch between them to add interest and movement to your performance.
Set up two different voicings on adjacent keyswitches and switch between them to compare arrangements while composing.
Keep the same voice routing but different articulation trigger settings—sustain on Keyswitch 1, pizzicato on Keyswitch 2, tremolo on Keyswitch 3.